Sunday, March 26, 2017
Of the many, many parodies/tributes of horror and sci-fi I've seen over the years, DreamWorks Animation's Monsters vs. Aliens (2009) remains one of my all-time favorites. It's got everything for which a fan of Atomic Age creature features could ask: smart humor, a talented cast, great 3D animation, and enough references to horror/sci-fi history (some more overt than others) to put a goofy grin on any geek's face. It may not be as popular as other DreamWorks titles such as Shrek and Kung-Fu Panda, but MvA knows its target audience of monster kids well and delivers accordingly.
Being the fan that I am, I picked up a copy of The Art of Monsters vs. Alien by Linda Sunshine a while back to learn more about the creative process behind the film. Like other "Art of" movie books, Art of MvA is filled with glossy, full-color pictures of concept art and it arranges them in an order that readers can follow from the early stages of the film's development up to the finished product. Read on for my complete review.
Saturday, March 18, 2017
With Alien: Covenant inching closer to its May release date, I thought I would take a gander at one of the Alien franchise's more ambitious publications: Alien: The Weyland-Yutani Report by S.D. Perry, with illustrations provided by Markus Pansegrau and John R. Mullaney.
The WY Report recounts the events of the Alien movies (including 2012's prequel Prometheus) from the perspective of Weyland-Yutani itself, the seemingly omnipresent megacorporation that has been hell-bent on learning the secrets of the parasitic, biomechanical Alien (which is referred to as "Xenomorph XX121" throughout the book).
A book has already been published that included all four Alien movies in a single volume: Alien: The Archive, which was published in 2014 by Titan Books. However, that book detailed the real-life production of each of the movies; in contrast, The WY Report provides a fictitious, in-universe examination of the many details both within and between the movies, thus creating an overarching meta-narrative that pulls the movies' characters, settings and technology together into a coherent and engrossing whole. Read on for my complete review.
Friday, March 10, 2017
In case you haven't noticed from any of my other blog posts, the life of geekhood involves countless obsessions with various pop culture artifacts. One of my recurring fixations is with 3D entertainment, a fixation that has been greatly satiated by the release of 3D films on high definition digital media. These releases initially consisted of only new movie titles but as time went on, releases of vintage titles from Hollywood's "golden age" of 3D films in the 1950s have been appearing as well. This post is devoted to one of the vintage titles, It Came from Outer Space, a sci-fi thriller from 1953 which Universal released on Blu-ray last October. While this film may look very low-tech in comparison to the sci-fi films of today, its reappearance in 3D marks a special milestone for geeky 3D aficionados like me. Read on ....